ARTE Y ALMAS at The California Museum

DIA DE LOS MUERTOS 2017
Oct. 13-Dec. 30, 2017

A journey through life, love and death, Arte y Almas: Día de Los Muertos 2017 (Art & Souls: Day of the Dead 2017) features contemporary installations by La Sonrisa de La Muerte and Lapiztola from Mexico and California artists Lurac and Oscar Magallanes.

Opening at the Museum’s Dia de Los Muertos Fiesta 2017 (Day of the Dead Party 2017)  on Fri., Oct. 13, 2017, the exhibit explores the Mexican cultural tradition of honoring deceased loved ones each year on November 1 and 2 by creating calaveras de azúcar (sugar skulls), altares de muertos (altars of the dead) and ofrendas (offerings), which has evolved from the Aztecs to modern day Mexico and California.

Members of the public are also invited to celebrate friends and family with a remembrance in the exhibit’s accompanying Community Altar Oct. 7 through Dec. 30, 2017.


 

Barrio Logos, part of the Getty’s PST LA/LA


Part of the Getty’s PST LA/LA initiative
Opening reception Oct. 7th 1-6
Curated by Oscar Magallanes

Sculptures by Six

 

Sculptures by Six

May 7 – October 28, 2017

A Garden Gallery Installation in the Maloof Lemon Grove

Join us on Opening Day, Sunday, May 7 from 1:00 to 3:00pm

Artists Featured:

Kristi Lippire
Dee Marcellus Cole
Williams Catling
Joyce Kohl
Oscar Magallanes
Gina Lawson-Egan

Los Angeles Municipal Art Gallery

 

 

LAMAG logo
gallery main image
The Los Angeles Municipal Art Gallery (LAMAG), City of Los Angeles Department of Cultural Affairs, and LAMAG Associates present
A Biennial Providing Artists with a Competitive 
Opportunity to Exhibit Their Work 
Jurors

Carol Cheh, Mike McGee, and Aram Moshayedi

July 28 to September 22, 2013

 

Opening Reception 

Sunday, July 28, 2013,
2 to 5 pm

Hosted by LAMAG Associates

74 works of art by 46 artists selected from more than 900 artworks submitted by 368 artists. Best in Show, second, third place winners, honorable mentions, and the LAMAGA Award recipient will be announced at 3 pm at the Opening Reception.

 

Artists

Shiva Aliabadi, A.S. Ashley, Sarah Barnard, Anne Baumgartner, Todd Becraft, Nathan Bell, Mattia Biagi, Liza Hennessey Botkin, Nina Castro, Chais, Andrew K. Currey, Chris Dyson, Marc Fichou, Cynthia Friedlob, Matthew Miles Grayson, Beth Herzhaft, Randi Hokett, Romine Jaklin, Shannnon Keller, Manny Krakowski, Nadia Kusmajadi, Olga Lah, Madam X, Ceres Madoo, Oscar Magallanes, Lauren Marsolier, Tanner McCardle, Zoran Milosavljevic, Mike Mollett, Donna Morin, Keiko Nakagawa, Arshak Nazarian, Emily NyBurg, Joe O’Neill, Linda Sue Price, Jeff Rau, Melissa Reischman, Javier Rosales, Neil Shigley, Jacqueline Suskin, Lisa Talbot, Phoebe Sarason, Ricard Turner, Valerie Wilcox, Darlyn Susan Yee, and Tom Zou.

 

Los Angeles Municipal Art Gallery

Barnsdall Park
4800 Hollywood Boulevard
Los Angeles, CA 90027

LA/SA

 

LA-SA, Gravelmouth Gallery, 2013

 

San Antonio and Los Angeles are cities that with all their romanticizations are still cities that seemingly purport rigid dichotomies in their histories. The change of demographics allows for the discovery and rediscovery of their own rich culture as seen through new eyes when placed in the context of exhibitions like the McNay Museum’s Estampas de la Raza. The tie between the two cities becomes evident in many of the exhibitions featured artists originating from San Antonio and Los Angeles. Further drawing the connection, many of the prints exhibited were produced in the print studios of Self Help Graphics & Art and Modern Multiples, both based in Los Angeles.

 

LA-SA is the first exhibition of new and current works from some of San Antonio’s and Los Angeles’ best artists with an emphasis on the artists variety of different styles, mediums and techniques. LA-SA features eight artists, six of which are artists brought together by Estampas de la Raza. While prints are an important part of the artist repertoire, for most of the artists featured in LA-SA, with the exception of Sonia Romero’s sophisticated prints, the print is not the artist’s primary means of expression. LA-SA gives the participating artists a forum to exhibit works in their primary mediums while allowing other artists to exhibit more experimental works. Alex Rubio and Jaime Zacarias’ highly detailed paintings along with the unique paintings of César Martinez will sit aside Vincent Valdez’s Burn and Recuerdo films. The films will be shown simultaneously for the first time as the artist originally intended. Oscar Magallanes work on wood is an example of highly stylized and advanced stenciling techniques. Also it was important to augment the exhibition with San Antonio artist, David “Shek” Vega, who works primarily with aerosol and Los Angeles artist, Hacer, whose impressive works are primarily large scale origami metal sculptures. These artists not only complete the circle of mediums represented but also in representing the ground breaking work being produced by San Antonio and Los Angeles artists.